Badajoz is a medium-sized Spanish city located in the southern Estremadura autonomous community, next to the Portuguese border. Although Merida is the capital of the community and its touristic reference, Badajoz is the largest, most populated and probably the most relevant city of the region, both in terms of economic health and general basic services. This is mostly due to its historical existence near the border, commercial traditions (the Portuguese used to come here to buy caramels) and geophysical characteristics, such as the Gévora river (the city lies at the point where it connects with the larger Guadiana River).
The
Caja Badajoz is an important bank to this proud community.
It's the main savings bank in town and it's the most relevant
economic representation of the inhabitants, who are quite
conservative. The main goal of this project was to give a powerful
physical expression to that immaterial importance by building the new
headquarters of the bank on a plot located in the banks of the
aforementioned river, next to the Puente Real Bridge. After a
restricted tender back in 2007, the chosen team was the Madrid-based
Studio Lamela architects.
With
28.500 m2 of covered area and a budget of 35 million euros, the
building clearly attempts a dialogue with the bridge's prominent
vertical structure and the great width of the river by engaging two
different volumetric elements. The horizontal base of the building
has a square configuration and gathers all the support functions,
such as the main lobby and exhibition hall, auditorium,
restaurant/bar, etc. The vertical volume – a tower with sixteen
floors above the base – hosts the general offices of the company.
The
overall image of the building arose as a direct answer to the
powerful Extremadura sun. In order to mitigate its impact, both
facades have a double skin composed of glass on the inside and large
“metallic” stripes on the outside: horizontal ones in the
vertical tower and vertical ones in the horizontal volume of the
base. The main idea for the interior was the creation of diaphanous
spaces, which privilege the open view towards the landscape.
